“Interview with the Vampire” review: Undead Creoles
Ella Michna, Assistant Reviews Editor
• March 7, 2023
Watch and Stream: Mar. 3
Mia Oliva, Reviews Editor
• March 7, 2023
Loyola Chorale gets ‘once in a life time’ opportunity to perform with Italian tenor
Macie Batson, Editor in Chief
• March 6, 2023
Students host prom for release of new short film
Mia Oliva, Reviews Editor
• March 4, 2023
Tulane’s music scene is trying to leave the Doghaus
Macie Batson, Editor in Chief
• March 2, 2023
“Wednesday” review: Two (Snaps)hots of the Addams Family
Arianna D'Antonio, Worldview Editor
• February 26, 2023
“When You Finish Saving The World” review: Finally a real teenager movie
Kloe Witt, Breaking News Editor
• February 24, 2023
Paramore’s “This is Why” review: A millennial return to music within the world of Gen Z
Dajah Saul, Social Media Graphics Lead Designer
• February 23, 2023
“The Fabelmans” review: Pure Spielberg with a twist
Miles Doleac
• February 17, 2023
Loyola vocalist learns self-love through music
Violet Bucaro, Copy Editor/Staff Writer/Photographer
• February 16, 2023
“Elvis” review: How a straight man achieved high camp
Oliver Parker, Contributing Writer
• February 14, 2023
“Abbott Elementary: Season 2” review: Emmy-award-winning Quinta Brunson does it again
Victoria Hardy, Equity & Inclusion Officer
• February 13, 2023
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