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“Pearl” review: Mia Goth is the Shelley Duvall of modern cinema
Mia Oliva
, Reviews Editor
September 24, 2022
“Tengo Sueños Electricos” review: The regressive metamorphosis of life
Michael Lardizabal
, Staff Writer
September 19, 2022
Watch and Stream: Sept. 16
Mia Oliva
, Reviews Editor
September 18, 2022
Film department struggles with inconsistent faculty
Brooklyn Joyner
, Staff Writer
September 15, 2022
“Better Call Saul: Season 6” review: Days of future past
Ver Lumod
, Staff Writer
September 12, 2022
“The Rehearsal” review: A fine line between actuality and deception
David Culotta
, Staff Writer
September 9, 2022
“Stranger Things: Season 4” review: Every beginning has an end
Mia Oliva
, Reviews Editor
September 2, 2022
“Tu Me Manques” review: A theatrical tale of truth and perception
Michael Lardizabal
, Staff Writer
September 2, 2022
“jeen-yuhs” review: Yeezy season approaching
Brooklyn Joyner
, Staff Writer
May 10, 2022
“Everything Everywhere All At Once” review: An indie guide to the multiverse
Ver Lumod
May 9, 2022
“Euphoria: Season 2” review: Everyone’s looking for a cause and effect
Mia Oliva
, Reviews Editor
May 6, 2022
Crescent City Film Fest returns to Loyola
Maleigh Crespo
, Op/Ed Editor
May 2, 2022
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