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Crescent City Film Fest returns to Loyola
Maleigh Crespo
, Op/Ed Editor
May 2, 2022
Review: “Turning Red” doesn’t deserve the hate
Addison Laird
, Staff Writer
April 29, 2022
“X” review: A fresh, provocative take on slasher films
Adam Seal
April 29, 2022
“Texas Chainsaw Massacre” review: A corny addition to well-known franchise
Sofia Bermejo Mongillo
, Staff Writer
April 25, 2022
Review: “Titane” redefines trans film tropes
Artie Bennett
, News Editor
April 22, 2022
“All of Us Are Dead” review: Campy zombie film meets school life anime
Arianna D’Antonio
, Staff Writer
April 10, 2022
“Fresh” review: One final girl? TWO final girls? THREE FINAL GIRLS!
Oliver Parker
April 10, 2022
“The Adam Project” review: A hollow but fun good time
David Culotta
April 10, 2022
“The Batman” review: Sneaking a real movie into Hollywood
Michael Lardizabal
March 31, 2022
“Insecure” review: The end of an era
Brooklyn Joyner
, Staff Writer
March 31, 2022
“Scream” review: Underwhelming start to the year
Sofia Bermejo Mongillo
, Staff Writer
March 30, 2022
“Cobra Kai” season four review: “No be there”
Arianna D’Antonio
, Staff Writer
March 26, 2022
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