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“Barbarian” review: A rejuvenating take on contemporary horror
Michael Lardizabal
, Staff Writer
September 25, 2022
“Pearl” review: Mia Goth is the Shelley Duvall of modern cinema
Mia Oliva
, Reviews Editor
September 24, 2022
F-Stop 504 creates a safe haven for New Orleans’ creatives
Macie Batson
, Senior Staff Writer
September 23, 2022
Bridge House Announces First Dry Festival
Sofia Luciano
, Life and Times Editor
September 21, 2022
“Tengo Sueños Electricos” review: The regressive metamorphosis of life
Michael Lardizabal
, Staff Writer
September 19, 2022
Musical Duo St.Ove Brings the Heat
Violet Bucaro
, Staff Writer
September 19, 2022
Watch and Stream: Sept. 16
Mia Oliva
, Reviews Editor
September 18, 2022
Loyola Starts New Record Label
Abigail Schmidt
, Sports Editor
September 16, 2022
Film department struggles with inconsistent faculty
Brooklyn Joyner
, Staff Writer
September 15, 2022
“Better Call Saul: Season 6” review: Days of future past
Ver Lumod
, Staff Writer
September 12, 2022
COLUMN: Battle of the Universities: Who Has Better Vegetarian Options?
Veronica Offner
, Assistant Life & Times Editor
September 10, 2022
“The Rehearsal” review: A fine line between actuality and deception
David Culotta
, Staff Writer
September 9, 2022
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