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“Babylon” review: The trials and tribulations of Hollywood’s metamorphosis
Mia Oliva
, Reviews Editor
January 27, 2023
“Bones and All” review: Coming of age meets cannibalism
Mia Oliva
, Reviews Editor
December 14, 2022
“All The Things That Could Go Wrong” album review: Johnny Orlando at his finest hour
Dajah Saul
, Social Media Coordinator
December 13, 2022
“Triangle of Sadness” review: Ostlund’s comedy of errors
Ver Lumod
, Staff Writer
December 7, 2022
REVIEW: Lacy has a “Bad Habit” and a big ego
Abigail Schmidt
, Sports Editor
November 21, 2022
REVIEW: Pauline Hopkins’ Contending Forces should be leading the literary canon
Gabriella Killett
, Editor in Chief
November 19, 2022
“Black Panther: Wakanda Forever” review: Marvel’s emotional homage to the Black Panther legacy
Dajah Saul
, Social Media Coordinator
November 17, 2022
“House of the Dragon: Season 1” review: The “Game of Thrones” successor presents itself with surpassing potential
Mia Oliva
, Reviews Editor
November 16, 2022
“PLAYGIRL” review: The hyperpop fantasy of Lolo Zouai’s dreams
Dajah Saul
, Social Media Coordinator
November 16, 2022
“Holy Fvck” album review: Demi Lovato says “Here We Go Again” returning to their rock roots
Maleigh Crespo
, Equity and Inclusion Officer
November 4, 2022
If you’re trying to “DECIDE” what to listen to next, take a listen to Joe Keery’s new album
Macie Batson
, Senior Staff Writer
October 30, 2022
“Hocus Pocus 2” review: The modern day remake pales in comparison to its predecessor
Maleigh Crespo
, Equity & Inclusion Officer
October 25, 2022
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