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“Blonde” review: Confronting the male fascination of tainting Marilyn Monroe’s legacy
Mia Oliva
, Reviews Editor
October 23, 2022
“Midnights” album review: TS10 is T-Swizzle’s best album yet
Maleigh Crespo
, Equity and Inclusion Officer
October 21, 2022
Watch and Stream: Oct. 12
Mia Oliva
, Reviews Editor
October 12, 2022
“Don’t Worry, Darling” review: Wilde’s movie surrounded by political culture, news falls flat
Ella Cheramie
, Reviews Assistant
October 5, 2022
“Barbarian” review: A rejuvenating take on contemporary horror
Michael Lardizabal
, Staff Writer
September 25, 2022
“Pearl” review: Mia Goth is the Shelley Duvall of modern cinema
Mia Oliva
, Reviews Editor
September 24, 2022
“Tengo Sueños Electricos” review: The regressive metamorphosis of life
Michael Lardizabal
, Staff Writer
September 19, 2022
Watch and Stream: Sept. 16
Mia Oliva
, Reviews Editor
September 18, 2022
“Better Call Saul: Season 6” review: Days of future past
Ver Lumod
, Staff Writer
September 12, 2022
“The Rehearsal” review: A fine line between actuality and deception
David Culotta
, Staff Writer
September 9, 2022
“Stranger Things: Season 4” review: Every beginning has an end
Mia Oliva
, Reviews Editor
September 2, 2022
“Tu Me Manques” review: A theatrical tale of truth and perception
Michael Lardizabal
, Staff Writer
September 2, 2022
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