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REVIEW: Pauline Hopkins’ Contending Forces should be leading the literary canon
Gabriella Killett
, Editor in Chief
November 19, 2022
“Black Panther: Wakanda Forever” review: Marvel’s emotional homage to the Black Panther legacy
Dajah Saul
, Social Media Coordinator
November 17, 2022
“House of the Dragon: Season 1” review: The “Game of Thrones” successor presents itself with surpassing potential
Mia Oliva
, Reviews Editor
November 16, 2022
“PLAYGIRL” review: The hyperpop fantasy of Lolo Zouai’s dreams
Dajah Saul
, Social Media Coordinator
November 16, 2022
“Holy Fvck” album review: Demi Lovato says “Here We Go Again” by returning to their rock roots
Maleigh Crespo
, Equity and Inclusion Officer
November 4, 2022
If you’re trying to “DECIDE” what to listen to next, take a listen to Joe Keery’s new album
Macie Batson
, Senior Staff Writer
October 30, 2022
“Hocus Pocus 2” review: The modern day remake pales in comparison to its predecessor
Maleigh Crespo
, Equity & Inclusion Officer
October 25, 2022
“Blonde” review: Confronting the male fascination of tainting Marilyn Monroe’s legacy
Mia Oliva
, Reviews Editor
October 23, 2022
“Midnights” album review: TS10 is T-Swizzle’s best album yet
Maleigh Crespo
, Equity and Inclusion Officer
October 21, 2022
Watch and Stream: Oct. 12
Mia Oliva
, Reviews Editor
October 12, 2022
“Don’t Worry, Darling” review: Wilde’s movie surrounded by political culture, news falls flat
Ella Cheramie
, Reviews Assistant
October 5, 2022
“Barbarian” review: A rejuvenating take on contemporary horror
Michael Lardizabal
, Staff Writer
September 25, 2022
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